Marc Maron of Breakroom Live, an internet politics and comedy show that I highly recommend, came back from performing stand-up comedy at South by Southwest, and he was psyched about a band he saw at the festival called The Gerbils. Since I consider Maron to be one of the finest voices on the margins of American culture when he recommends something I tend to check it out. So I googled The Gerbils and came up with nothing. I shrugged it off and moved on.
At the very end of the next show, Maron made a point of correcting himself. He didn't mean to say the Gerbils. He meant The Thermals.
Oh. Well, now. That's a completely different matter. I've known about The Thermals for a few years and though I have not seen them live yet, I have been informed that they do indeed bring it. Their new album Now We Can See will be out April 7th and can pre-ordered at their label's website.
Here's "Here's Your Future":
And here's the same song performed in Seattle in 2006:
And here's the same song again, backing Mary Louise Parker's not-nearly-iconic-enough freak out on the show "Weeds".
And speaking of the future, how about a stop in Baltimore?
Decmbrists' frontman Colin Meloy does a mean cover of Sam Cooke's "Cupid". In this clip from last year, he's joined by Laura Gibson. The blog All Things Go has an MP3 of a version of the same song from its Valentine's Day mix with Cat Power joining Colin instead.
Last week, the Boss appeared on The Daily Show and played the title song from his latest album. He gives it the acoustic, a la Nebraska era Springsteen, treatment. As always, the good people at Culture Bullyhave the MP3.
The Counting Crowes are parting ways with their record label. In a letter to their fans they explain the move and set out on a new path as an independent band. They also offer a free cover of Madonna's "Borderline". Ironic and interesting choice.
This represents one more nail in the coffin of the old music industry. This must have been what it was like watching the studio system crumble in Hollywood at the end of the 1950s. Of course, that was a good thing for movies in the short term, and by short term I mean twenty years, but by the 80's artists faced renewed corporate influence that has left the industry worse off than ever creatively.
This is mind blowing cover of a great Pearl Jam song from their first record called Ten. It sounds like Pearl Jam meets early Nine Inch Nails with some serious amounts of this guy's own talents mixed in. It's also a clear statement that if you have the talents necessary, you do not need a band. Very impressive (h/t Culture Bully, who has the MP3).
This song always reminds me of upward mobility, but not the kind where you step on a guy to get a leg up. It reminds me of pre-Kennedy assassination times, when hope was alive and before things started spinning out of control. Of course, it was the best of times and it was the worst of times, for in some ways things are much better in the 21st century. But there was an optimism in the folk music of the early 1960s, that we could use a double shot of right about now.