There's a broad conversation that comes with the territory any time anyone tries to define the greatest [fill in the blank] of all time. What is the criteria? How much work was put into the list by the list makers? With that in mind, I'm going to offer an off the cuff list of what I consider the ten most important bands or solo artists of all time. Then I'm going to do another list for bands and solo artists of this decade, since they can't really compete with the groups on the first list.
The word "important" is the key word here. While I think there are arguments for bands that have had more influence than some of these on my list, I think that their influence may not be a good thing, so they're off the list.
The ten most important bands or solo artists of all time:
10) Tom Petty. Don't laugh. Tom Petty has done way more than you think. It took watching the four hour documentary
Running Down a Dream to see the fullness of this man's work. And try to not enjoy "American Girl".
9) Pearl Jam. This is about as high as I can justify ranking this band, simply because they came on the scene so late in the game. Beside the virtuosity of singer Eddie
Vedder, lead guitarist Mike
McCready and former drummer Dave
Abbruzzese, the band carries forward the fully realized promise of the early nineties Seattle music scene. Still, rock was defined long before
PJ came along. They have, however, managed to define the best possible business relationship between a band and their fans in an age of extreme exploitation throughout the music industry. The band puts on sprawling, energetic, well-rehearsed three-hour plus sets, and a different set every night, when most of the best bands out there throw up ninety minute sets and call it a night. The band can play any of over a hundred songs at the drop of a hat. Pearl Jam makes high quality recordings of nearly every show they play available to their fans, which is important because they play more covers than just about any band in the business. Through covers and duets with other rock legends and rising stars, Pearl Jam has cemented their place in the on-going
dialogical conversation that keep rock refreshed this late in the game.
8)
Jimi Hendrix. I think Hendrix's music is generally over-rated, and the shortness of his career hurts his standing a bit, but the man completely changed the way people perceived the guitar. And just because his music tends to be overrated doesn't mean it wasn't awesome.
7) Neil Young. Neil Young could be anywhere on this list. He's written more good songs, by himself, than probably anyone. His brilliant collaborations with Crosby, Stills and Nash really add to his stature. Young has also mentored many of the best young acts of this century.
6) Bruce Springsteen. The Boss set populism to music. Working primarily in two vernaculars--solo acoustic and E-Street mode--no one since Dylan has told the stories of the American people so well.
5) Bob Marley. I can't bring myself to put Bob Marley's music in my CD player or my MP3 player anymore because I wore those songs out many years ago. But if I hear just a moment of that great man's music blasting from a passing car, or if it comes on the jukebox at the bar, for instance, immediately I find myself smiling and having a good time. A catalog full of music that consistently fills it's listeners with joy while standing as a monument to integrity and social consciousness is no easy feat.
4) Bob Dylan.
Words and
music. It's a simple concept, but Dylan brought literature to music in a way no one had before or since. Comedian Marc
Maron once said that the answer to every question is contained somewhere in a Bob Dylan song.
3) The Who. Four absolutely scary talents. Keith Moon's brilliant drumming was an invention of his own. Pete Townsend wrote songs that I would play for aliens if they asked me what rock music sounds like. Roger Daltry's scream is the pain that all young, angst filled teenagers feel in thier souls. John Entwhistle's bass was the persistence of time in groove form.
2) The Stones. The Stones are the Stones.
1) The Beatles. The Beatles are the Beatles.
There are plenty of other bands that probably belong on that list. Early
Aerosmith and early Black Sabbath could have been there if it weren't for late
Aerosmith and late Black Sabbath. Led Zeppelin should probably be on the list, but I find Robert Plant's approach to vocals grating. The Beach Boys, The
Greatful Dead, Pink Floyd,
Radiohead, Nirvana, Nine Inch Nails,
Portishead, REM, U2 and Stevie Ray Vaughn all have compelling claims to place on this list. I also left off my own personal favorites Rage Against the Machine,
Ani DiFranco, Red Hot Chili Peppers, Tori Amos, Tool, Blind Melon,
Bjork, Steve Earle, Sublime, System of a Down, The
Beastie Boys, The White Stripes,
Rilo Kiley, Elliott Smith and Jane's Addiction because they just don't have the status of these other groups, though they do, or did, have the chops.
Moving right along, here's the ten most important bands and solo artists of this decade (century):
10) Flogging Molly -- Massive punk/Irish arrangements garnished with heartbreaking folk ballads--you'd
think a lot more bands would be able to pull this kind of potent mix off, but they can't. Besides, any band that wrote "What's Left of the Flag" would be in the top ten.
9)
Kimya Dawson -- Not sure how important her music will turn out to have been to subsequent generations,
but Kimya brings enough Bob Dylan to her tender anti-folk ditties that she manages to stand in an important place of her own, transcending the need to be noticed, though she is gaining some traction in the wake of her work on the Juno soundtrack.
8) Bishop Allen -- The heirs to Sublime have had a difficult time getting their career in gear, but what we have from them so far is very promising.
7) Postal Service -- Only one album, but what an album it was. The perfect blend of
electronica and indie pop.
6) Mountain Goats -- After a while the Mountain Goats' music all starts to sound the same, having said that, the best music they've recorded this decade is utterly mind blowing, especially the classic "No Children".
5) The Shins -- Three awesome albums in, the Shins are on track to be a cultural staple for as long as they feel like it.
4)
Rilo Kiley -- My favorite band and the band that has the best catalog going today just hasn't connected
with the masses the way the probably could have in another decade. Still, their legacy is measurable. The quality of their records, their advanced songwriting, their top notch musicianship and the quality of their side projects carries them the rest of the way.
3) Bright Eyes -- I have a soft spot for the prolific Conor
Oberst, but his erratic career has shown that he just is not consistent enough to top Jack White and Elliott Smith for catalogue purity. Still, his high points are as high as it gets.
2) The White Stripes -- Jack White is this
decade's Jimi Hendrix according to Seamus O'Rourke, and he's right. In a very short period of time, White has dropped a record store full of awesome music on the public and the public has connected with it.
1) Elliott Smith -- A lot of his great run came in 90s, but there was enough of a contribution between 2000 and his death in 2003 to put him at the top of the list.
Good cases could easily be made for Fiona Apple, Godspeed You Black Emperor!, Death Cab for Cutie,
Feist, Dresden Dolls, The Blow, Ted Leo, Herman Dune, Nellie McKay, Page France, Regina
Spektor and
Tegan and Sara to name only a few.